I *love love love love* documentaries. I could, and have, watch documentaries all day and all night until I pass out from the inability to keep my eyes open. I’ve watched some incredibly amazing ones, some really ridiculous ones, and a few terribly made ones. Why do I love documentaries so much? They are a reflection of a reality lived, a tale about life with points of view and story lines that are neither strictly fact nor fiction, just like life is neither strictly fact or fiction. A story about life and a life lived is different from living life and reality because the camera puts an interpretation to the reality. Anyone who claims that documentaries are objective doesn’t really understand the nature of reality and the stories we tell about ourselves, our lives, and the lives about other people. When a spider webs his web, he is not the web. But the web came from him, and he can crawl around on the web. A documentary is like a spider’s web, it comes from a subject, from their very being, but it is not the subject themselves.
“Heroines” is one of the most powerful and introspective documentaries I have ever seen.
The film starts out with the line “You’re beautiful” voiced over a photograph of one of the subjects. This statement is on that the subjects of the film probably hardly ever hear. The subjects of the film are heroin addicts and prostitutes, a lethal and dangerous combination. These are the women in the shadows, behind the societal stage, in the background, you see them everywhere but you never remember. The cultural idea that these women are worthless, expendable, and morally bankrupt for their personal decisions reflects how our society bases worth on financial measure rather than one that recognizes the inherent intrinsic worth of a human being based on the fact that they are a human being. One of the women in the film laments this, repeating “I’m not a bad person, I’m a drug addict” in a faded yet strong voice.
Lincoln Clarke, the maker of this documentary, is a successful photographer who has held his own in the fashion world, a difficult field to break into for a photographer. It must take a tremendous amount of talent and stamina to be a fashion photographer, to capture the aesthetic of a creator and deal with the insanity of the fashion world. Lincoln says that he got encapsulated in that world, but some of his photographic aesthetic echos the lived reality of the downtrodden. Indeed, several photos of his shown in the film, including one of Debby Harry, reflect this. American society has a fascination with the underworld, what goes on behind the shadows of the streets. This world is well hidden for very good reasons, it is dangerous and potentially deadly. But dangerous and potentially deadly is sexy, in a weird way. It is forbidden, its like getting cut and seeing the rush of blood. Some people play with fire in an effort to see if they will not get burned. Or, they don’t care about getting burned.
Lincoln finds these women in the streets, and gains their trust by being an honest and caring person. The subjects of the film recognize that he doesn’t want anything from them except for them to be their selves, something that is probably a rare occurrence in their world. He observes about his subjects that “What they need is just some real, unconditional love. Then if they had that, heroin wouldn’t be such a big pursuit, in such hot demand”. One of the most moving segments is the scene with Lincoln reciting an observation about what heroin means to these women over a scene of one of the subjects shooting up, “Heroin is like a warm blanket, heroin is a lover that is always there for them. Its something they can believe in, someone they can be close to, somebody they can hold, and its not even anybody its just a little bit of powder.” The woman shooting up says “It helps to numb, it helps to numb all the other pieces that are too much to deal with. And, its something to live for its something thats there for you”. This immediately cuts to a huge reason why people become involved in hardcore narcotics: a feeling of a lack of love. Having known several heroin addicts, all of them had in common a knowledge of severe hurt, pain, and lack of love. Having done opiates myself, I know the rush of warmth, artificial happiness, and comfort that opiates give a person. Heroin must feel like the answer to all the problems of a pained psyche, a bandage for a mind bleeding with pain.
The female heroin addicts of the film have reached what most people would consider the rock bottom. The hardcore streets are swallowing them whole, there is no safe place, there is only chaos and vibrant danger. But this does not mean that they are without worth. These women are important, their stories are significant, yet their place within society is lost upon most people. These women stand alive to represent the incredible power of love.
Without love, these women have fallen into what druggies call “chasing the dragon”. The phrase “chasing the dragon” refers to the constant sought after high that a person deep cannot achieve because their tolerance has built to not chemically allow that sought after high, or that high will simply never be achieved because nothing is ever like it was the first time. The first time they shot up heroin, they probably fell into the clouds and heard angels sing. Why that can’t be everyday life is basically one of the very essential questions of human existence. To a degree, everyone is chasing a dragon, wanting to get back to a beautiful moment in life that has passed into the dust of memory. But these women have heroin, a repetitive pattern of using something to achieve an artificial happiness, a happiness that is not even happy but crying with sorrow.
Drug addicts are not bad people solely based on the fact that they are drug addicts. Prostitutes are not bad people solely based on the fact that they are prostitutes. Society wants to deem these people trash, because they represent something dangerous to us. They represent not giving a fuck, truly being trapped in the moment of life, a frantic attempt to escape the inescapable, and nakedly flirting with death. They are worthless to society because they do not generate financial gain, and they live on practically nothing. This is why they are valuable: they live in the space of our nightmares.
“A photograph is a secret about a secret” is perhaps the best line in the film. The details of the lives most of these heroin-addicted women live will forever remain a secret because of how hidden they are. Clearly, keeping heroin addiction one of life’s secrets is doing these women and greater society a disservice. Addiction knows no bounds, no financial, racial, religious, or intellectual boundaries can protect a person from the risk of becoming an addict. It is easy to blame these women for their circumstances, but it takes great insight to see that these women were lead to a logical conclusion. Cessation of pain is a basic human desire. The secret the women found in “Heroines” was the attempt of cessation of all pain results in a different, mutant type of pain. Absolutely, the film is moving and important.